Profiles
"‘I approached a Dance Mag's visual direction as a foundation, not a constraint,’ designer Lilia Di Bella said. In our conversation, she explains how she drew from her dance background to let shapes and colors flow through the pages, creating a space where "meaning is made together with the reader."
Profiles
In a country where protest is a crime, the dancing body itself becomes a site of resistance. Choreographer and researcher Sasha Portyannikova documents how artists under impossible conditions continue to create despite all risks.
Short Reads
The choreography of repression: a history of policing dance, from medieval plagues to Brazilian funk. An essay by Vinícius Portella.
Photographer Jennifer Lee Delić and dancer-fighter Rasmus Branders push against the limits of the camera. Using flowing fabrics and contrasts of light, their collaboration seeks to give form to the internal dance of masculine and feminine energy we all embody.
"‘I approached a Dance Mag's visual direction as a foundation, not a constraint,’ designer Lilia Di Bella said. In our conversation, she explains how she drew from her dance background to let shapes and colors flow through the pages, creating a space where "meaning is made together with the reader."
In a country where protest is a crime, the dancing body itself becomes a site of resistance. Choreographer and researcher Sasha Portyannikova documents how artists under impossible conditions continue to create despite all risks.
The choreography of repression: a history of policing dance, from medieval plagues to Brazilian funk. An essay by Vinícius Portella.
Nestled in Goa’s jungles, Kala Keli is a dance retreat where movement becomes meditation. By day: contemporary, martial arts, and yoga in open-air studios. By night: bonfire circles and ecstatic beach dances. Here, rigor meets play and bodies remember their wild, joyful language.
By Suzanne Fischer — On witnessing a paper performance at Munich's Brandhorst Museum.
No pressure, no spam — just stories, surprises, and notes from the editor.
Nestled in Goa’s jungles, Kala Keli is a dance retreat where movement becomes meditation. By day: contemporary, martial arts, and yoga in open-air studios. By night: bonfire circles and ecstatic beach dances. Here, rigor meets play and bodies remember their wild, joyful language.
Through the whimsy of Whoville, the choreographer reflects on jazz’s communal roots, the choreography of belonging, and what it means to dance joy into constraint.
By Leila Lois — On Williamstown Beach, Zoe Bastin stages a choreography of defiance and endurance, where the waves echo the body’s refusal to be contained.
By Leila Lois — Mirror worlds, celestial themes, and tongue-in-cheek queerness collide as two dance artists create, Scenarios, their most ambitious collaboration yet.
By Melissa Jones — What happens when the body becomes both translator and translated? A mover's meditation on the sacred geography of studios, where flesh learns its own language through repetition, the ancient dialogue between effort and release.
By Sabrina Castillo Gallusser — Guatemala-based choreographer explores the shift from scientific planning to collaborative discovery in thirty years of dance-making.
By Suzanne Fischer — On witnessing a paper performance at Munich's Brandhorst Museum.
From Seoul's hip-hop battles to Berlin's avant-garde stages, Korean dancer Gyung Moo Kim has built a career on embracing constraint and listening to what his body demand. His latest work emerges from a "retrocausal collaboration" that stretches across continents, and art forms.
By Danica van de Velde — Luca Guadagnino's 2018 Suspiria weaponizes dance itself—where Argento's original used daggers, Guadagnino's pirouettes become instruments of destruction. Through Damien Jalet's visceral choreography, every movement embodies both creative force and annihilation.
By Nerda Khara — In a country where dance is often misunderstood or discouraged, Nerda carves a path of quiet resistance—merging dance, ritual, research, and teaching to claim movement as a way of life in Pakistan.
By Sonja Kieser — Under the shadow of Vesuvius, a golden-voiced goldsmith hosts a feast where tradition and trance collide. As drums pulse, strangers become one in the hypnotic rhythm of the Tammuriata—a dance where leading and following blur, and modern Italy rediscovers its ancient soul.
In a world where men rarely dance together—let alone hug—a Norwegian troupe is turning masculinity inside out. Meet The Cartel: where folk dance becomes wrestling, audiences become collaborators, and trust is the most daring move of all.