Akram Khan’s Giselle: Ten Years Later, a Different Ballet That Has Grown Into Itself

By Will McGregor — The 19th-century village is gone. In its place: a concrete wall, factory light, and bodies that already know their place. Ten years on, Akram Khan's Giselle has grown into its own weight.

Memory in Motion: Oral History, Dance, and the Practice of Holding Space

By Carol Pierre — A relationship with a choreographer reveals oral history as embodied practice. Like dance, research arranges testimonies, holds space, moves through memory with narrators, and performs stories that transform audiences into witnesses of alternative realities.

The Spectre and the Shih Tzu: Conversation with Gabriel Semerene

On dance floors lost and found, queer Palestine, languages that carry whole worlds, the slow burn of academia, and Mei, a blind Shih Tzu who knows more about love than most of us ever will.

From Minuets to Algorithms: Conversation with Katja Vaghi

The Swiss-Italian dance scholar on Baroque notation, digital bodies, and finding wabi-sabi in a hectic life.

NYCB Winter Season Opens with Balanchine's Radiant Serenade and Sensual Prodigal Son

By Leila Lois — NYCB's opening night offered everything: the pure joy of Serenade, the frank sensuality of a rarely staged Prodigal Son, and the athletic brilliance of Paquita. Leila Lois travels from the Southern Hemisphere to see performances that honor ballet's full emotional spectrum.

Tango Finds Its Theatre at RSA House

By Will McGregor — David Chartoriski and Yelena Odintsova navigate tango's essential paradox: a dance born in intimate embrace that becomes magnetic when performed. At Sofar Sounds' RSA House, they made the case for both.

Flesh and Origami by Michael O’Connor

Michael O'Connor discovers that paper folding reveals that human bodies work as archives of evolutionary folds where dancing, writing, and speech cross over each other. Through experiments with nine artists, he shows that the body isn't metaphorically like origami. It is origami.

Continual Becoming: Alina Belyagina on Performativity, Collapse, and Feminist Dramaturgy

From West Siberia to Munich, Alina Belyagina has turned periphery into method. Her new work fuses vogue and Slavic folk dance to explore how bodies migrate between traditions and carry memories that discourse hasn't yet mapped.

Choreographing the Page: Lilia Di Bella on Structure, Flow, and the Reader's Experience

"‘I approached a Dance Mag's visual direction as a foundation, not a constraint,’ designer Lilia Di Bella said. In our conversation, she explains how she drew from her dance background to let shapes and colors flow through the pages, creating a space where "meaning is made together with the reader."

Can Photography Capture the Invisible Energies Moving Within Us?

Photographer Jennifer Lee Delić and dancer-fighter Rasmus Branders push against the limits of the camera. Using flowing fabrics and contrasts of light, their collaboration seeks to give form to the internal dance of masculine and feminine energy we all embody.

Dancing Beyond the Self by Tejaswini Loundo

Tejaswini Loundo moves through flow, ego-death, and the cosmic rhythm of Naṭarāja to ask what it truly means to dance beyond the self.

Bodies of Evidence: Sasha Portyannikova's Political Dance

In a country where protest is a crime, the dancing body itself becomes a site of resistance. Choreographer and researcher Sasha Portyannikova documents how artists under impossible conditions continue to create despite all risks.